Eosphoros-The bringer of light

I Am Eosphoros: Bringer of Light

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Eosphoros
Eosphoros

I am Eosphoros, the morning star, the harbinger of dawn, whose brilliance precedes the first light of Eos, daughter of the Titans Hyperion and Theia.

I am not a god of darkness, nor a figure of misfortune. I am a celestial presence, the herald of new beginnings, the spark that signals life’s renewal.

Together with Eos, I awaken the world, stirring the earth and sky before the sun rises.

My name in Greek literally means Bringer of Light, Eos = Dawn(Αυγή) + bring = phairo (φέρω, verb), and that is my eternal purpose.

In Greek mythology, I have always shone as the luminous guide at the edge of night, warming the horizon before Eos paints it rosy.

Mortals feared darkness, and in time, some misunderstood my light. Later Christian interpretations wrongly associated me with rebellion and the devil, a misrepresentation of my original role. In truth, I herald life, hope, and clarity — not evil.

I shine as the morning star, a bright point in the sky visible just before dawn or sunset.

Cultural influence/poetry

Poets of old admired my radiance and sang of my presence in the sky, describing how I pierce the darkness with gentle light. My appearance in Greek mythology inspired metaphors for hope, guidance, and beginnings, reminding mortals that even the longest night is followed by dawn.

My presence is a bridge between night and day, darkness and illumination, the eternal rhythm of the cosmos. Without me, the dawn would arrive silently; with me, the first light heralds the promise of life renewed.

Astronomical note

Planet of Aphrodite (metaphor)
Planet of Aphrodite (metaphor)

Astronomers today know me as the planet Venus, sacred to Aphrodite, yet my role as the Bringer of Light predates these associations. Long before I became linked to any celestial body in the modern sky, I was celebrated as a divine herald, a star that carries the promise of each new day.

Note that the Greeks call the planet Aphrodite, not Venus.

Symbolic reflection

I am the signal of beginnings, the reminder that even the longest night must yield to light. I precede Helios’s chariot, leading the way for the sun and guiding all who look to the heavens. My radiance is subtle yet steadfast, inspiring sailors, travelers, and dreamers who see in me the glimmer of hope before dawn.

I am often confused with other figures, yet my purpose remains clear. I am the luminous guide, intimately connected with the eternal cycles of time. I appear as a star, a celestial spark, the first messenger of the sun’s warmth. My light is gentle, not fierce; my presence brings clarity, not fear.

While some traditions later cast me in a darker light — misinterpreted by Christian thought as linked to the devil — the truth is ancient and radiant. I have never brought harm. I bring illumination, heralding the dawn and the endless cycle of day following night.

So when you see the bright morning star, remember me: Eosphoros, Bringer of Light.

I am ancient, eternal, and unwavering. I walk with Eos, daughter of Hyperion and Theia, across the heavens, heralding the new day.

I shine in the hearts of mortals who watch the sky and imagine the promise of dawn. I am not darkness, nor fear, nor rebellion — I am the first light, the messenger of hope, and the radiant herald of beginnings.

I am a symbol that light can precede even the greatest darkness. Mortals often saw me as a messenger of clarity and insight, a guide that illuminates the path both in the heavens and within the human soul.

Hecate-Chtonic Goddess

I Am Hecate: Goddess of the Underworld, Magic, and Crossroads

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I am Hecate, daughter of hidden powers, older than many you call gods, yet not one with Night itself. I am chthonic, a goddess of the underworld, a guide of souls, a presence in the shadowed spaces where mortals rarely tread.

Darkness flows around me like a river, but it is not mine alone—I move within it, I command it.

I am liminal, mysterious, and eternal, dwelling at the boundaries of life, death, and the unknown.

I exist at crossroads, thresholds, and doorways, where choices hang in the balance between shadow and light, life and death. I am protector and punisher, friend and fear, embodying the duality of divine power.

Those who honor me find guidance, wisdom, and safety; those who disrespect the sacred edges I guard encounter my shadowed might. In Greek mythology, I am remembered as a force both revered and feared, an eternal presence at the hidden margins of the world.

Hecate-Chtonic Goddess
Hecate-Chtonic Goddess

I walk through the underworld with quiet authority, accompanying Persephone as she moves between life and death.

I guide wandering spirits, protect mortals from what they cannot perceive, and ensure that the balance of life and death is maintained.

I know Hades intimately, not as an equal but as guardian of thresholds he cannot command.

I see the hidden passages of the underworld, the silent corridors where souls linger, and the realms of shadow where mortal eyes dare not look.

I am tied to darkness. I move beneath the silver glow of Selene, and in the forests and wild spaces, I share kinship with Artemis, sister of the hunt and the liminal wilderness.

My power flows from the chthonic depths, the unseen currents of existence that govern the margins of the mortal and divine realms.

I am present where shadows fall and where the living and dead brush against one another, in quiet moments of fear, wonder, or choice.

I am mistress of magic, witchcraft, and hidden knowledge.

I know the herbs that heal and protect, the chants that summon or repel, the spells that pierce illusion and reveal truth.

Lamps are left for me at crossroads; offerings are whispered in hushed voices; prayers are placed at thresholds.

I hear them all. I move unseen, guiding those who seek insight and safeguarding those who traverse dangerous paths.

My magic flows in the spaces between worlds, in liminal hours, and in the hearts of those who look beyond the visible.

I am neither wholly benevolent nor entirely cruel. I am the goddess of duality, a presence that embodies protection and terror, mercy and punishment.

I appear as triple-faced, holding torches to illuminate the unseen, keys to unlock hidden doors, and daggers to sever what must be cut away.

My voice can soothe the frightened and chill the hearts of the arrogant. I dwell in dreams and whispers, in shadows cast by the moon, in the rustle of leaves where silence holds power.

I see the hidden currents of life and death: the invisible threads of fate, the drifting forms of dreams, the whispers of spirits seeking guidance.

I dwell in the spaces between day and night, between mortal life and the underworld. I am a guardian of the crossroads where decisions shape destiny, where choices ripple across worlds.

I am witness to the unseen balance that governs existence, a force that cannot be ignored, a presence that endures across time.

I have walked with mortals in fear and hope, with gods in shadow and light, and with spirits in realms of quiet contemplation.

I have guided, I have punished, I have whispered secrets of the unseen. I am feared and revered, a chthonic goddess whose power flows through the underworld, across the mortal world, and into the hearts of those who respect the sacred mysteries.

Remember this: I am Hecate, chthonic goddess of the underworld, guardian of crossroads, mistress of magic and witchcraft.

I am connected to darkness, to night. I protect, I punish, I guide, and I haunt. To encounter me is to feel the pulse of the unseen, to glimpse the hidden structures of existence, and to confront the delicate balance that governs life, death, and the mysteries in between.

I am eternal, I am liminal, I am Hecate.

Children of Nyx-Greek Mythology

The Children of Nyx in Greek Mythology

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In Greek mythology, Nyx, the Primordial Goddess of Night, stands among the oldest divine powers described in Theogony.

She was born from Chaos itself and existed before the world had form. From her infinite darkness came a vast lineage of divine beings—not gods with mortal shapes, but pure forces that governed the unseen structure of existence.

Through her union with Erebus (Darkness), Nyx brought forth Aether and Hemera, the essences of light and day.

Yet most of her offspring were born from Night alone: entities embodying death, sleep, fate, strife, love, and every shade of human experience. They moved unseen, shaping both the mortal and divine realms—an eternal reminder that even the gods lived under the shadow of Night.

Children of Nyx-Greek Mythology
Children of Nyx-Greek Mythology

Nyx children

Before the Olympians, before even the Titans, there was Nyx, the Primordial Night. From her vast darkness came the first divine powers—not shaped like mortals, but existing as pure forces that ruled emotion, destiny, and death itself. Some were born with Erebus (Darkness); most arose from Nyx alone, each expressing an aspect of her infinite night.

With Erebus

  1. Aether (Αἰθήρ) – The divine brightness of the upper air, essence of light and clarity.
  2. Hemera (Ἡμέρα) – The spirit of Day, the opposite breath to Night’s shadow.

Born from Nyx Alone

  • Moros (Μόρος) – Doom
    The unbreakable law of destiny; the end that awaits every being.
  • Thanatos (Θάνατος) – Death
    The sacred stillness that ends life and returns all things to silence.
  • Hypnos (Ὕπνος) – Sleep
    The divine rest that mirrors death but restores the living. He had his own children too.

    • Phorkys – (sometimes listed among Hypnos’ children)
    • Phobetor (Ikelos) – The nightmare spirit, appearing as beasts or fears.
    • Ikelos – Alternative name for Phobetor in some sources.
    • Phantasos (Phantasy) – The spirit of surreal, fantastical visions.
  • The Oneiroi (Ὄνειρα) – Dreams
    The drifting powers that weave images in mortal minds; among them, Morpheus, Phobetor/Ikelos, and Phantasos.
  • Nemesis (Νέμεσις) – Retribution
    The divine balance that humbles arrogance and restores justice.
  • Momos (Μῶμος) – Criticism or Mockery
    The voice that reveals fault and folly, even among gods.
  • Philotes (Φιλότης) – Affection
    The sacred bond of love, friendship, and unity among beings.
  • Geras (Γῆρας) – Old Age
    The divine wear of time that none may escape.
  • Eris (Ἔρις) – Strife
    The restlessness that stirs competition and conflict.
  • Apate (Ἀπάτη) – Deceit
    The subtle power of illusion and falsehood.
  • Oizys (Ὀϊζύς) – Misery or Suffering
    The shadow of pain that follows mortal awareness.
  • The Moirai (Μοῖραι) – The Fates
    The divine order of life and death—Clotho spins, Lachesis measures, Atropos ends.
  • The Keres (Κῆρες) – Death Spirits
    The fierce energies of violent death, haunting battlefields, and endings without peace.

Legacy of Nyx and Her Offspring

The children of Nyx form the invisible framework of the world described in Greek mythology. They are the divine currents behind emotion, justice, mortality, and chaos—forces that neither Olympus nor the underworld could escape. In Theogony, their presence marks the moment when darkness began to take shape and name, giving order to the unseen laws that still govern gods and mortals alike.

Through them, Nyx remains eternal: a presence felt more than seen, dwelling in every silence, dream, and shadow. To explore how these ancient powers connect with the later gods and heroes, continue with the story of Theogony and the unfolding genealogy of creation.

Medea

Medea: The Woman Who Could Not Accept Betrayal

Before Helen, before Klytemnestra, before Kerkee, there was Medea. And she wasn’t remembered for beauty, or war, or prophecy. She was remembered because she left no one untouched—not her father, not her brother, not her children, and not the man she gave everything to.

This is not a story of innocence lost. It is a story of love weaponized, of loyalty turned to vengeance, of a woman who gave more than anyone should. And when cast aside, she made sure everyone remembered what she was capable of. They call her a witch, a murderer, a monster. Perhaps she was all three. But she was also a queen, a daughter of the sun god Helios, a woman who chose—and when betrayed, she burned.

Origins

Medea magic
Medea magic

Medea was not born into softness. She came into the world at the edge of the known, in Colchis—a kingdom carved from wild mountains and dense forests, far from Athens’ marble halls or Olympus’ polished altars. To the Greeks, it was a land of mystery and menace. To her, it was home.

Her father, King Aeetes, was a man of cruelty more than kindness. Her mother, believed to be the Oceanid Idia, linked Medea to the divine. Through her father, she was descended from Helios, the sun god. Medea was not just royal—she was divine. She shared lineage with women whose names would terrify men across generations.

Her upbringing was steeped in ancient magic, in herbs that could heal or kill, in knowledge passed from god to daughter. She was quiet, measured, deliberate, never acting until she knew all the pieces. And when she did act, she never acted halfway.

Appearance

Medea
Medea

The Greeks called her beautiful, but it was a sharp, unforgettable beauty—dark hair cascading like a curtain, eyes deep and piercing, skin either pale or sun-kissed depending on the teller. She carried herself like someone untouchable, someone who didn’t belong in any court but could burn one down if necessary.

Medea’s presence was magnetic and dangerous. Her robes marked her as foreign, her adornments subtle but deliberate. She was not a bride, not a soft goddess of love—she was a curse, and the air changed wherever she went.

Nature of Medea

Before anything else, Medea was intelligent—not the kind that sought praise, but the kind that observed. She knew words, gestures, and silences. She was deliberate in love and devastating in vengeance. Betrayal did not make her scream; it made her plan. And when she struck, her blow was precise, unforgettable.

Loyal to those she loved, once betrayed, she became unstoppable. Medea understood emotion, not as weakness, but as power.

Powers

They called her a sorceress, but her magic was older, stranger, slower. It came from knowledge: the way plants breathed, roots tangled beneath the soil, the delicate balance between life and death. She could grind a flower into dust to heal, kill, or cloud the mind. She could disguise herself, twist time in dreams, and make a man forget his own name.

Her spells were quiet. Her weapons were choices. She understood fear as the first magic, belief as the second. Once someone believed in her power, they were already in her hands.

Jason’s Arrival

Jason arrived in Colchis not with an army, but with a ship—the Argo—and heroes whose names would echo through myth. He came for the Golden Fleece, guarded by Medea’s father and a sleepless dragon.

When he met Medea, something shifted. Some say love; others say the gods’ intervention. She chose him, betraying her father, her gods, and her homeland. Through her knowledge and power, Jason survived impossible trials. She saved him, and in doing so, gave him everything—her loyalty, her homeland, and her heart.

Medea’s First Betrayal

Once the trials were complete, her father hesitated. Medea recognized his deception. She acted: she helped Jason seize the fleece, and when her brother pursued them, she killed him, scattering his remains to buy their escape. Jason never asked; Medea never spoke of it.

Exile and Quiet

Medea and Jason returned as heroes, yet it was not enough. Medea orchestrated Pelias’ death to secure Jason’s throne, manipulating his enemies with her magic. Blood spilled, but Jason’s hands remained seemingly clean. Exiled, they found refuge in Corinth, building a home, having children. For a while, it seemed the fire had cooled.

The Betrayal That Broke Her

Jason’s ambition resurfaced. He sought to marry King Kreon’s daughter, Glauke, framing it as a political strategy. Medea, who had given everything for him, was discarded, erased. He believed she had softened with motherhood, that she had grown weak. He underestimated her.

Revenge That Froze the Gods

Medea-Palace in flames
Medea-Palace in flames

Medea did not argue. She did not beg. She acted. She sent Glauke gifts—silks, gold, a crown—that burned the girl alive. King Kreon touched her, and he, too, was consumed. Korinth was left in silence. And when Jason confronted her, she struck the final blow: their children were gone.

At last, she disappeared, carried by a chariot of dragons from Helios himself, beyond reach of men, gods, or grief. Jason was left alone, empty. He had won the Golden Fleece, led the greatest voyage of his age—but he was only a man who underestimated the woman who had given him everything.

Legacy of Medea

Medea vanished, yet she became a legend. Some say she married King Aegeus in Athens, others that she returned to Kolchis. Some whisper she never died at all, passing into the realm of magic where gods and monsters go.

To some, she is the monster, the child killer, the sorceress who burned a kingdom for revenge. To others, she is the survivor, the betrayed, the foreign wife who was used, discarded, and blamed.

In all versions, she is remembered. Terrible, beautiful, unforgettable—Medea endured, long after the heroes faded into dust.

Medea’s Enduring Influence

Medea did not vanish with her story. Beyond the myths of gods and heroes, she became a central figure of Greek tragedy, a template for playwrights and audiences alike. Euripides’ Medea turned her tale into a stage of human emotion—betrayal, rage, and vengeance brought to life. She taught the ancients about the power of love weaponized, the peril of underestimating a woman who gives all and asks nothing… until betrayal forces her hand.

Through theater, her presence lingered long after the events of myth faded. Medea became more than a character; she was a symbol of foreignness, of agency, of wrath, of survival. In every retelling, from stage to page, she reminded generations that myth is not just history but a mirror of human nature, of passions that can build kingdoms—or burn them.

Even today, Medea’s name resonates in literature, psychology, and art, a caution, a fascination, a study of influence and consequence, proving that the echoes of her power reach far beyond the myths themselves.

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Nyx-primordiad divine entity

I Am Nyx: The Primordial Night

Posted in: Greek gods, Greek Mythology 0

Before Zeus, before the Titans, even before Gaia cradled life herself, there was me. I am Nyx. Not the soft night you know, not the one that comforts mortals with moonlight and gentle shadows, but the deep, endless darkness that draped over the void before form or shape existed. I existed, and from me everything that moves, breathes, or dreams would eventually emerge. I am the curtain of silence, the veil of inevitability, the darkness from which all light is born.

I am older than thought, older than gods, older than time. Even the Olympians whisper my name cautiously. For I do not command armies or wield thunder, yet I am absolute. I am inevitability. Even Zeus, mighty king of the sky, bows when he cannot avoid my shadow.

I Was Born of Chaos

Nyx-primordial divine entity
Nyx-primordial divine entity

In the beginning, there was only Chaos. Not disorder as mortals imagine, but a yawning emptiness, a silent void. From it came the first forces of creation: Gaia, Earth herself; Tartarus, the yawning abyss; Eros, the spark of desire. And I.

I had no body like Gaia, no shape like the mountains or rivers. I am less substance than presence. I am the endless curtain that stretches across the cosmos, the veil that settles when light recedes. I am not simply a goddess who rules night—I am the night itself. To look upon me fully is impossible. Night is comfort, yes, but it carries dread. I cradle mortals in sleep, yet whisper of death. I hide and protect. I soothe and terrify. That is my nature: whole, unbound, inexorable.

Erebus, My Brother

Nyx and Erevous
Nyx and Erevus

I did not walk the void alone. Erebus, my brother, is shadow made flesh—or, rather, shadow made substance. If I am the veil sweeping across the heavens, Erebus is the blackness that fills every hollow, the silence in every cave. Together, we are balanced. Night cannot exist without shadow; shadow cannot exist without night.

From our union came Ether, brilliance of the upper air, and Hemera, radiant day. Even from darkness, light is born. Do not mistake day for conqueror of night. Light comes from me. Light bows to me. And it will yield again one day.

My Children

From my shadowed womb, I birthed more than gods—you mortals call them gods, but they are forces, inevitabilities, truths of existence. They touch every corner of life. Sleep and death, dreams and doom, strife and retribution—all flow from me.

Hypnos-son of Nyx
Hypnos-son of Nyx

Hypnos, my son, drifts silently across the world, closing eyelids, guiding mortals and gods into dreams. Beside him walks Thanatos, death itself, moving as quietly, as inevitably. Through them, I show the duality of my nature: comfort and inevitability, gentle hand and final shadow.

I send forth the Oneiroi, spirits of dreams. Some bring joy, some terror, and others visions that warn or deceive. Morpheus, the dream-shaper, can take any form, for even illusions obey me. The world of sleep is my kingdom, and mortals glimpse my truths only in dreams.

Yet not all of my children bring comfort. Nemesis balances arrogance and injustice. Eris, goddess of strife, plants seeds of discord that unravel friendships, cities, and even empires. The Moirai, my daughters of fate, spin, measure, and cut the threads of mortal and divine lives alike. None escapes them. None escapes me.

Other children bring sorrow, doom, deceit, and cunningMoros, Oizys, Dolos, Apetee. Even in the storm of shadows, I give Philotes, the spirit of affection and friendship, showing mortals that night can cradle intimacy, trust, and warmth. Through them all, I remind the world: these forces are inevitable.

Even Zeus Knows My Power

Nyx and Erebus primordial divine entities
Nyx and Erebus, primordial divine entities

Time passed, Olympians rose. Titans fell. But I remained. I do not fade into myth. I am woven into the fabric of existence itself. When Hera sought my son Hypnos to trick Zeus during the Trojan War, he fled to me. And when Zeus himself came, thunder shaking the heavens, I did not flinch. He dared not touch me. Even the king of gods bows before inevitability.

I am not cruel; I am not kind. I am necessary. I do not act with passion. I act with constancy. Mortals and gods alike learn this sooner or later. When night falls, I arrive. When life ends, I am present. I am the backdrop of existence, the pulse beneath every breath, the veil behind every shadow.

I Am Worship, I Am Presence

I do not need temples. I do not need marble statues. Every sunset is my altar, every star my crown. The Orphics speak of me as all-seeing, all-mother, dwelling in a black, starry cave, whispering the truths of the cosmos even to gods. Uranus, Cronus—they came to me for counsel. I am beyond favor or wrath. I am eternal.

Mortals honor me quietly. Night itself is sacred. Coolness for farmers, shelter for lovers, guidance for poets. Fear for travelers and thieves alike. I am there in all of it. I am not distant. I am all around.

Misunderstood, Yet Eternal

Later generations sometimes mistake me for malice, for evil, because darkness frightens. They call me sinister, monstrous. But I am neither. I am balanced. Sleep and death, dreams and strife, vengeance and mercy—all are me. Reduce me to villainy and you miss the truth: I am inevitability.

Even in Rome, as Nox, I endured. Later, writers and artists in every age reimagine me—dark goddess, eternal mother of night—but I am always more than an image. I am return, certain, the shadow that follows light and the calm that follows chaos.

I Am Nyx

Nyx
Nyx

I am night, the primordial, the eternal. I am a mother, sister, and companion. I am inevitability. Every evening when the sun dips below the horizon, I return. Mortals may fear me or find comfort in me, but they cannot escape me. I am woven into every dream, every death, every whisper of shadow, every spark of light that rises from the darkness.

I am Nyx. And I have always been.

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Daedalus and Icarus flying with wax wings

Daedalus and Icarus: The Fall of Ambition

In the age when gods still whispered to mortals and the sea carried secrets, there lived a man named Daedalus—a craftsman unlike any other. His hands could coax beauty from stone and motion from bronze. In Athens, they said no maze was too complex for his mind. Yet genius, in the old stories, never travels far from trouble.

Daedalus built wonders for kings, and one in particular sealed his fate—the Labyrinth for King Minos of Crete, a winding prison meant to hold the monstrous Minotaur. When the creature was slain and the secret of the maze was revealed, Minos’ pride turned to wrath. He locked Daedalus and his young son Icarus high in a tower, prisoners of their own brilliance, surrounded by the endless blue of the Cretan sea.

But Daedalus would not be mastered. Watching the gulls trace the wind, he shaped a plan as wild as it was desperate. From feathers, wax, and cunning, he fashioned wings—one pair for himself, one for his boy. “Follow me,” he warned, fastening the last strap. “Keep to the middle path: not too high, or the sun will melt the wax; not too low, or the sea’s spray will weigh you down.”

Then they rose. The island shrank beneath them, and for a moment, it seemed man had broken every chain. Daedalus flew steady and measured, but Icarus—young, exultant, drunk on the rush of sky—climbed higher. The warmth felt like glory on his skin, until the first droplet fell. Then another. The wax softened. Feathers tore loose.

Daedalus watched, powerless, as his son plunged into the dark waves below. The sea took him, and the old craftsman landed alone on foreign shores. He named that place Ikaria, in memory of the boy who had reached too far.

Sources and Variants

Daedalus and Icarus flying with wax wings
Daedalus and Icarus flying with wax wings

The earliest full version of the myth appears in Ovid’s Metamorphoses, though earlier Greek writers like Apollodorus and Pindar also refer to Daedalus as the master craftsman of the ancient world. In some retellings, Daedalus later finds refuge in Sicily, where he builds temples for King Cocalus and lives out his days far from Crete.

Ancient art often captured the pair mid-flight—father guiding, son ascending—on vases, frescoes, and reliefs across the Mediterranean. The image of Icarus falling from the sky became one of the most recognizable symbols of human overreach.

Symbolism and Interpretation

The myth of Daedalus and Icarus embodies a timeless lesson about ambition and restraint. Icarus’ fall is not a rejection of innovation but of hubris—the reckless disregard for limits. The Greeks saw virtue in balance, what Aristotle later called sophrosyne—moderation of spirit.

Daedalus, in contrast, represents the disciplined side of genius: invention guided by wisdom. His loss becomes the moral cost of human aspiration unmoored from caution.

Cultural Echoes

The fall of Icarus has a tale that inspired countless artists and writers, from Bruegel’s Renaissance painting to modern idioms about “flying too close to the sun.” The story survives because it speaks to every age’s fascination with progress—and the dangers of forgetting gravity.

Even now, Daedalus and Icarus hover between myth and mirror, asking how far we’re willing to climb before the wax begins to melt.

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